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Logic pro x mixing templates free
Also, I always use a monitoring plugin on my stereo bus, which decreases the volume. I always keep an eye on my mix bus, and I put my limiter on the stereo out when I need it. So, the groups work like this: the channels routes to bus groups, and the bus groups routes to mix bus. Then the mix bus goes to stereo out. I realized that I almost always tend to use a compressor on my mix bus to get the most energy from the mix, so I put a compressor on the mixing template. You have to listen to the song and dial the settings of the compressor to your likings.
The best way to do this is to take the threshold all the way down to where it compresses around dB. And change the attack and release parameters there. When you find the best settings for your mix, take the threshold back.
There is no rule for that, but around 3 to 4 dB will be nice. I also use the mix knob, so if you use it like how it is, you will do parallel compression.
And we came to the fun part, the effects! I have too many buses ready for most of the situations. Those effects are enough to give me what I need quickly, but I always edit them later.
Details always come later in the mix for me. This Logic Pro mixing template lets me do this easily. We have small, medium, plate, long, big, and a massive reverb on the mixing template. Every one of them has a different pre-delay and decay time. Small and medium are room reverbs; long and big are hall reverbs. It has a different character, and I mainly use it on guitars and the percussive sounds. When I want to replicate a room, I use the small reverb. When I want to take everything in similar places, I use medium reverb.
When I want to use the reverb as an effect, I tend to use long, big, and massive ones. But you can always edit or put an EQ after them. We have a half note, quarter note, eighth note, and a slap delay.
Echo is also an eight-note delay, but it has a longer feedback time and a reverb, which I mostly use on synths or guitar solos. And lastly, we have a doubler effect.
You can use it on the lead vocal gently to give it more power and width. Your effects on different buses, so you can send those effects to each other. Be creative and do whatever you want with them. Bernard Herrman - Psycho Score. Depeche Mode - Enjoy the Silence. Production covers everything from catchy loops and midi files to sick sylenth presets!
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